Friday, April 26th • 8:00 pm
Grammy Nominee Jane Monheit has performed at most of the major concert halls around the globe. She has released seven albums and two DVDs, and has appeared as a guest artist on many others. Jane has also been a featured performer in the nationally televised Christmas at the White House, the Capitol Fourth of July Celebration, and The National Memorial Day Celebration. Monheit spends most of the year on tour with her band, which currently includes Michael Kanan on piano, Neal Miner on bass, and Rick Montalbano on drums.
Saturday, April 5th • 8:00 pm
Tagged as the female reincarnation of Stevie Ray Vaughn, Ana has been singing n’ playing blues guitar since the time she could talk n’ walk. Born, raised and now a super-star in Europe, she continues her assault on the US market with a new album, a new band and show that has been receiving rave reviews from all the major critics.
Sunday, April 6th • 7:30 pm
Al Stewart is a singer-songwriter and folk-rock musician who rose to prominence as part of the British folk revival in the 1960s and 1970s. He has developed a unique style of combining folk-rock songs with delicately woven tales of characters and events from history.
Amy Helm Band
Sunday, March 30th • 7:30 pm
The daughter of music legend Levon Helm and singer/songwriter Libby Titus Fagen, Helm wields a powerful voice that can both stir and soothe, whether she is singing traditional gospel, blues standards or her own heartfelt compositions. Amy Helm’s deep musical roots were enriched by a lifetime of exposure to the finest expressions of American musical tradition. Combined with her stunning vocal and other creative gifts, those roots have grown up to reveal a spellbinding artist who moves easily through a broad range of musical styles.
The Delta Saints
Wednesday, February 12th • 8:00 pm
The Delta Saints are not what they say they are. Delta? Absolutely. But saints? One might call them “cautionary tales” long before the term “saints” ever came to mind; however, there is something devout about their bayou rock, a dirty, distinct sound they’ve zealously refined on their debut full-length, Death Letter Jubilee.